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Written by Guillermo Escudero
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domingo, 22 noviembre 2020 |
| PINKCOURTESYPHONE | "Leaving Everything To Be Desired" | Room40 | 2020
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PINKCOURTESYPHONE | "Leaving Everything To Be Desired" | Room40 | 2020
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Este es el segundo disco aka Richard Chartier después de “Indelicate Slices”. Chartier, es un artista sonoro minimalista y diseñador quien reside en Los Ángeles. Desde 1998 viene produciendo y escribiendo discos y ha colaborado con el compositor William Basinski y los artistas sonoros ELEH, CoH, France Jobin, Taylor Deupree, AGF, Yann Novak y Asmus Tietchens, pionero de la música electrónica alemana, entre otros artistas.
“Leave Everything To Be Desired” es un album de un carácter intimista adornado de paisajes sonoros, drones, grabaciones de películas y del ambiente. Las sesiones orquestadas, arreglos de cuerda que son sacadas de una banda sonora, crean un escenario extraño que de repente aparece y es insospechada la forma que puede tomar. Por tal motivo, el viaje al que invita Chartier es de ida pero no tiene el ticket de regreso. Especialmente en aquellos pasajes que se expanden largamente y nos sumergimos en una experiencia inmersiva, profunda.
Guillermo Escudero
Noviembre 2020
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This is the second album Richard Chartier aka PINKCOURTESYPHONE after “Indelicate Slices”. Chartier, is a minimalist sound artist and designer based in Los Angeles. Since 1998 he has been producing and writing records and collaborated with among other artists, with composer William Basinski and the sound artists ELEH, CoH, France Jobin, Taylor Deupree, AGF, Yann Novak and Asmus Tietchens, pioneer of German electronic music.
"Leave Everything To Be Desired" is an album of an intimate character adorned with soundscapes, drones, film recordings and of the environment. The orchestrated sessions, string arrangements that are taken from soundtracks, create a strange scenario that suddenly appears and which shape it can take is unsuspected. For this reason, the trip to which Chartier invites is one-way that does not have the return ticket. Especially in those passages that expand for a long time and we dig ourselves in an immersive and deep experience.
Guillermo Escudero
November 2020
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Last Updated ( domingo, 22 noviembre 2020 )
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